October 24, 2023October 13, 2024We Need a More BORING Definition of “Artist”: The Elitism of How We View Artists Comes up in Strange Ways (Medium article) June 21, 2023October 13, 2024Opera is the Message: Review of Everything for Dawn by Experiments in Opera (article for Theorema Review) December 8, 2022August 1, 2024This, This, This, This, This : Some Questions When Listening to Michael Edward Edgerton’s Anaphora (article for Theorema Review) July 13, 2022August 1, 2024Three Questions I’m Asking About Theater, These Days December 12, 2021October 13, 2024Freaks, Phenomena, and the Mother’s Betrayal: What is the Future of Contemporary “Classical” Singing? November 13, 2021October 13, 2024“Was Ist Kunst?”: On Bureaucracy and a Work of Art I May Have Imagined November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
June 21, 2023October 13, 2024Opera is the Message: Review of Everything for Dawn by Experiments in Opera (article for Theorema Review) December 8, 2022August 1, 2024This, This, This, This, This : Some Questions When Listening to Michael Edward Edgerton’s Anaphora (article for Theorema Review) July 13, 2022August 1, 2024Three Questions I’m Asking About Theater, These Days December 12, 2021October 13, 2024Freaks, Phenomena, and the Mother’s Betrayal: What is the Future of Contemporary “Classical” Singing? November 13, 2021October 13, 2024“Was Ist Kunst?”: On Bureaucracy and a Work of Art I May Have Imagined November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
December 8, 2022August 1, 2024This, This, This, This, This : Some Questions When Listening to Michael Edward Edgerton’s Anaphora (article for Theorema Review) July 13, 2022August 1, 2024Three Questions I’m Asking About Theater, These Days December 12, 2021October 13, 2024Freaks, Phenomena, and the Mother’s Betrayal: What is the Future of Contemporary “Classical” Singing? November 13, 2021October 13, 2024“Was Ist Kunst?”: On Bureaucracy and a Work of Art I May Have Imagined November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
July 13, 2022August 1, 2024Three Questions I’m Asking About Theater, These Days December 12, 2021October 13, 2024Freaks, Phenomena, and the Mother’s Betrayal: What is the Future of Contemporary “Classical” Singing? November 13, 2021October 13, 2024“Was Ist Kunst?”: On Bureaucracy and a Work of Art I May Have Imagined November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
December 12, 2021October 13, 2024Freaks, Phenomena, and the Mother’s Betrayal: What is the Future of Contemporary “Classical” Singing? November 13, 2021October 13, 2024“Was Ist Kunst?”: On Bureaucracy and a Work of Art I May Have Imagined November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
November 13, 2021October 13, 2024“Was Ist Kunst?”: On Bureaucracy and a Work of Art I May Have Imagined November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
November 4, 2021August 1, 20245 Ways The Internet is Failing You As An Artist – And 5 Things You Can Do About It (Medium Article) July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
July 13, 2021August 1, 2024Being There: Thinking of Slouching Towards Bethlehem at the Aix-en-Provence Opera Festival May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
May 20, 2020October 16, 2024Sometimes, the Stars Don’t Align: An Interview With David Blackburn on NYIOP and the Opera Industry
